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Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992). Several of these interviews appear in English for the first time. Some come from Chinese-language periodicals, and a few have never been published until now. In these conversations with such notable critics as Michel Ciment, Robert Sklar, and Tam Kwok-Kan, Zhang Yimou discusses all his films and speaks candidly about his work both as a cinematographer and an actor. Certain topics-the symbolism in his use of color, the use of women protagonists in most of his films, his working relationships with the Taiwanese filmmakers Hou Hsiao-Hsien and Edward Yang-emerge many times in the interviews. He shows strong interests in literature and film adaptations of texts. Zhang speaks too of his work with the actress Gong Li and of her roles in six of his films, most of which depict the role of a woman living in feudal patriarchal society. Zhang was one of the 1982 Beijing Film Academy graduates―the so-called Fifth Generation of filmmakers, who were the first generation of Chinese directors trained after the Cultural Revolution. He discusses the Academy's impact on him and his peers. He often mentions that many of his fellow graduates now work in television because the state did not deem their films successful. “If a film does not recoup its costs in China,” he told the New York Times in 2000, “you're not going to make another one. And you're not going to make a film without attracting investors.” Using his art as a means of exploring oppression and its devastation of human relationships, Zhang talks openly about the effects of mainland China's codes of censorship on his work. He often bemoans his lack of access to films, especially international films, during his youth. As he discusses his filmmaking style and compares it to the current state of Chinese filmmaking, he is revealed as open and modest, yet deeply passionate about his art. Readers meeting him through these interviews will see him to be complex, serious, and as quietly unassuming as his movies.
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Zhang Yimou: Interviews (Conversations with Filmmakers Series)
Zhang Yimou: Interviews (Conversations with Filmmakers ~ This book is a precious collection of interviews with the great Chinese movie director, Zhang Yimou, whom we should be grateful for having been generous in donating some of his time in answering questions from a long queue of various film critics, journalists, and academics from all over the world who were fortunate enough to get a hold of him personally in candid, frank, and honest one-to-one .
Zhang Yimou: Interviews - Yimou Zhang - Google Books ~ Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992). Several of these interviews appear in English for the first time. Some come from Chinese-language periodicals, and a few have .
Conversations with Filmmakers Series / University Press of ~ Conversations with Filmmakers Series. Showing 101-105 of 105 titles. . Zhang Yimou. Edited by Frances Gateward . Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), .
Zhang Yimou: Interviews by Frances Gateward, Yimou Zhang ~ Zhang Yimou: Interviews edited by Frances Gateward "With a concrete image we can dissolve boundaries and allow one to see, think, and feel." Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of .
Zhang Yimou / University Press of Mississippi ~ Description. Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992).. Several of these interviews appear in English for the first time.
Conversations With Filmmakers Book Series ~ The Conversations With Filmmakers book series by multiple authors includes books John Ford: Interviews, John Woo: Interviews, Jean Renoir: Interviews, and several more. See the complete Conversations With Filmmakers series book list in order, box sets or omnibus editions, and companion titles.
Conversations With Filmmakers Book Series ~ The Conversations With Filmmakers book series by multiple authors includes books John Ford: Interviews, Jean Renoir: Interviews, George Stevens: Interviews, and several more. See the complete Conversations With Filmmakers series book list in order, box sets or omnibus editions, and companion titles.
Nonfiction Book Review: Zhang Yimou: Interviews by Yimou ~ In Zhang Yimou: Interviews (part of the University of Mississippi's Conversations with Filmmakers series), edited by assistant professor of film studies at University of Michigan Frances Gateward .
A Conversation with Su Tong: Chinese Literature Today: Vol ~ Su Tong, a fixture among Chinese fiction for decades, achieved international fame when his novel Wives and Concubines was adapted in 1993 by director Zhang Yimou into the Oscar-nominated film Raise the Red Lantern, and then again in 2009 when his novel The Boat to Redemption won the Man Asian Literary Prize.In this interview conducted by Montana State University Professor Hua Li, Su Tong .
easternKicks - the ultimate site for Asian film! ~ Since 2002 we've been dedicated to bringing you the best in Asian film, with reviews, interviews, news, festivals coverage and much more.
Zhang Yimou Interviewed – ‘Curse of the Golden Flower’ ~ Zhang Yimou: When I decided to cast this film and thought about the role of the empress,there was just one person that came to mind and that was Gong Li. I thought she was the perfect choice.
Conversations with Filmmakers Series - Wikipedia ~ The Conversations with Filmmakers Series is part of the University Press of Mississippi which is sponsored by Mississippi's eight state universities. The mission of the Series is to publish collected interviews with world-famous directors. The current Filmmakers Series editor is Gerald Peary, a noted film critic and Professor of Communications and Journalism at Suffolk University, Boston.
SHADOW: The Means Of Yin / Film Inquiry ~ Zhang Yimou‘s 2002 wuxia film Hero was a smash hit, pulling in unprecedented sums of money upon its release in the United States. Critics invariably praised the beauty of its colorful flashback sequences and intricate fighting scenes. Hero shows us several contradictory flashbacks depicting the same period of time, each one characterized by a color: one is full of blazing red banners .
How Jet Li’s nameless Hero encapsulates Zhang Yimou’s ~ Chinese director Zhang Yimou has said that he intended 2002’s Hero to be a cross between an art film and a martial arts movie. The result, however, is more like an uneasy combination of wuxia .
: Customer reviews: Zhang Yimou: Interviews ~ This book is a precious collection of interviews with the great Chinese movie director, Zhang Yimou, whom we should be grateful for having been generous in donating some of his time in answering questions from a long queue of various film critics, journalists, and academics from all over the world who were fortunate enough to get a hold of him personally in candid, frank, and honest one-to-one .
Zhang Yimou - Wikipedia ~ Zhang Yimou ([ʈʂáŋ î.mǒu]; born 14 November 1951) is a Chinese film director, producer, writer and actor, and former cinematographer. He is part of the Fifth Generation of Chinese filmmakers, having made his directorial debut in 1987 with Red Sorghum.. Zhang has won numerous awards and recognitions, with three Academy Awards nominations for Best Foreign Language Film for Ju Dou in .
Conversations with Filmmakers Series — Wikipedia ~ The Conversations with Filmmakers Series is part of the University Press of Mississippi which is sponsored by Mississippi's eight state universities. The mission of the Series is to publish collected interviews with world-famous directors. The current Filmmakers Series editor is Gerald Peary, a noted film critic and Professor of Communications and Journalism at Suffolk University, Boston .
Movie Review: Zhang Yimou’s Delicate - Irish Film Critic ~ Life and intrigue in an ancient Chinese court. “Shadow” marks director Zhang Yimou’s return to form after the disaster that was “The Great Wall,” wherein the auteur’s trademark lyricism and subtlety – particularly evident in the award magnet “The House of Flying Daggers” – got lost in all the bombast, nonsensicality, and Matt Damon.
From the Fifth to the Sixth Generation: An Interview with ~ The Hidden Labor of Civil Rights: An Interview with Dawn Porter Pluriversal Brazil : A Conversation with Patrícia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Reolon, and Julia Katharine
Not One Less / Film Review / Spirituality & Practice ~ Zhang Yimou has already demonstrated his dramatic flair and exquisite eye for captivating imagery in Ju Dou and Raise the Red Lantern. This time out he has come up with a story of such charm and universality that it just might become a classic.
DGA Quarterly Magazine / Spring 2012 / Zhang Yimou ~ Since Zhang Yimou’s Red Sorghum first hit the international festival circuit in the late 1980s, the director has gone through three distinct periods of notoriety. The first began when his third and fourth features, Ju Dou (1990) and Raise the Red Lantern (1991), were banned from Chinese theaters by the government, despite nearly unanimous worldwide accolades (the bans were eventually lifted).
Zhang Yimou: Globalization and the Subject of Culture By ~ Zhang Yimou: Globalization and the Subject of Culture engages readers in an insightful reflection on the significance, the potential, and the limitations of film as cultural production in a constantly changing China.” —Jerome Silbergeld, Princeton University “This is a splendid study of Zhang Yimou.
Director Profile ~ When opportunity knocked, Gail Mancuso walked through the door, and she’s been directing hit comedies like Roseanne, Friends, and Dharma & Greg ever since. With her recent Emmy for Modern Family, she became the first female director to win twice for comedy direction.
New Waves: Red Sorghum / Carsey-Wolf Center ~ Directed by celebrated Chinese auteur Zhang Yimou (Raise the Red Lantern, Hero) and based on Nobel Prize-winning author Mo Yan’s novel, Red Sorghum is a landmark in contemporary Chinese cinema and culture.The film blends the stories of three generations of a family with their region’s journey through feudalism, war, and revolution.
Film review: Better Days / easternkicks ~ Derek Tsang’s Soul Mate follow-up is a hard-hitting look at bullying in Chinese schools…. Better Days, from director and actor Derek Tsang, has been one of the most talked-about Chinese films of the last year.Adapted from the novel In His Youth, In Her Beauty by Jiu Yuexi, a 29-year-old female Chinese writer, the film was eagerly anticipated for its starring Jackson Yee from top Chinese .
